Mies’ early projects

The MoMA show “Mies in Berlin” (2001), curated by Terence Riley, with archival prints from large-format glass negatives as early as 1907 document Ludwig Mies van der Rohe‘s earliest work on one hand, and on the other, digitally altered images by Thomas Ruff subject those iconic images to postmodern manipulation. Yet in Mies in Berlin photography […]