Works on paper. 1960s

The exhibition (…) is another step in our discovery of the artist and provides an ideal occasion to draw attention to the complexity of his prolific artistic output, much of which remains unseen. Villèlia said that the hands were the pantograph of the mind and, hence, these images of the mind are not only capable of transforming ideas into volumes but can also be transferred, visualised and fixed on paper.

Ricard Bru