Right Constructions

The photographic compositions and installations displayed in Right Constructions transversally address the notion of construction as a creative principle and, according to Eškinja, “a crucial point of departure to understand, interpret and create worlds.” Through his characteristic economy of means, Eškinja temporarily leaves apart his illusionistic games to reflect on what is at stake in constructing, planning, and being constructed. Relocated in the context of a complex work, which continuously questions the rel ti a on b t e ween reality and represent ti a on, the issue of const ti ruc on opens new paths to be expl d ore and investigated.